{"id":711,"date":"2014-05-27T14:54:37","date_gmt":"2014-05-27T14:54:37","guid":{"rendered":"https:\/\/archipress.org\/reda2\/?page_id=711"},"modified":"2026-05-07T19:23:46","modified_gmt":"2026-05-07T18:23:46","slug":"regards-croises-du-maroc-dalgerie-et-de-tunisie","status":"publish","type":"post","link":"https:\/\/reda.archipress.org\/?p=711","title":{"rendered":"&#8216;heure des printemps arabes"},"content":{"rendered":"<style type=\"text\/css\" media=\"all\">.printfriendly {display: none!important;}<\/style>\n<h3 style=\"color: #000000; text-align: center;\" id=\"mcetoc_1jo1qs3150\"><img loading=\"lazy\" decoding=\"async\" align=\"left\" alt=\" \" height=\"56\" hspace=\"5\" src=\"https:\/\/reda.archipress.org\/images\/stories\/logo\/adem.jpg\" style=\"font-size: 13px; line-height: 1.6em;\" title=\"Ateliers d'ethnomusicologie de Gen\u00e8ve (www.adem.ch)\" vspace=\"3\" width=\"169\" \/><\/h3>\n<p>&nbsp;<\/p>\n<p><span style=\"line-height: 1.6em;\">Ateliers d&#8217;ethnomusicologie de Gen\u00e8ve. Alhambra, 3 d\u00e9cembre 2011.<\/span><\/p>\n<div align=\"justify\" style=\"color: #000000;\">\n<p>Les artistes \u00e0 l&#8217;heure des printemps arabes.<br \/>\nRegards crois\u00e9s du Maroc, d\u2019Alg\u00e9rie et de Tunisie<\/p>\n<p>En marge du cycle \u00ab Parfums du Maghreb \u00bb, cette table ronde, organis\u00e9e par les ateliers d&#8217;ethnomusicologie de Gen\u00e8ve et le quotidien\u00a0<em>Le Courrier\u00a0<\/em>(Gen\u00e8ve), s\u2019int\u00e9resse \u00e0 la place des artistes \u00e0 l\u2019heure des mouvements sociopolitiques qui secouent le monde arabe depuis le d\u00e9but de l\u2019ann\u00e9e. L\u2019accent est mis sur le regard de quelques artistes nord-africains, de leur engagement personnel et de leurs sources d\u2019inspiration.<\/p>\n<p style=\"font-size: 13px; margin: 0px; padding: 0px 0px 1.2em; color: #404038; font-family: Helvetica, Arial, sans-serif; line-height: normal; text-align: justify;\">Intervenants :<\/p>\n<p style=\"font-size: 13px; margin: 0px; padding: 0px 0px 1.2em; color: #404038; font-family: Helvetica, Arial, sans-serif; line-height: normal;\">Soraya Ksontini \/ Chanteuse (Tunisie\/Suisse)<br style=\"margin: 0px; padding: 0px;\" \/>Medhdi Haddab \/ Musicien (Alg\u00e9rie\/France)<br style=\"margin: 0px; padding: 0px;\" \/>Reda Benkirane \/ Sociologue (Maroc\/Suisse)<br style=\"margin: 0px; padding: 0px;\" \/>Izza Genini \/ Cin\u00e9aste (Maroc)<\/p>\n<p>Table ronde anim\u00e9e par Elisabeth Stoudmann<em>,<\/em>\u00a01h16mn<br \/>\n<span style=\"line-height: 1.6em;\"><\/span><\/p>\n[audio:https:\/\/archipress.org\/audio\/mp3\/TablerondeParfumsMaghreb.mp3]\n<\/div>\n<div style=\"color: #000000;\">\n<p>*interventions R\u00e9da Benkirane: 3&#8217;30&#8221;, 46&#8242;, 1h, 1h05&#8242; 1h13&#8217;05&#8221;<\/p>\n<p>&nbsp;<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Ateliers d&#8217;ethnomusicologie de Gen\u00e8ve. Alhambra, 3 d\u00e9cembre 2011. Les artistes \u00e0 l&#8217;heure des printemps arabes. Regards crois\u00e9s du Maroc, d\u2019Alg\u00e9rie et de Tunisie En marge du cycle \u00ab Parfums du Maghreb \u00bb, cette table ronde, organis\u00e9e par les ateliers d&#8217;ethnomusicologie de Gen\u00e8ve et le quotidien\u00a0Le Courrier\u00a0(Gen\u00e8ve), s\u2019int\u00e9resse \u00e0 la&#8230; <a class=\"continue-reading-link\" href=\"https:\/\/reda.archipress.org\/?p=711\">Lire plus \/ Read more<\/a><\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[571,573],"tags":[],"class_list":["post-711","post","type-post","status-publish","format-standard","hentry","category-conferences","category-interventions"],"_links":{"self":[{"href":"https:\/\/reda.archipress.org\/index.php?rest_route=\/wp\/v2\/posts\/711","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/reda.archipress.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/reda.archipress.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/reda.archipress.org\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/reda.archipress.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=711"}],"version-history":[{"count":1,"href":"https:\/\/reda.archipress.org\/index.php?rest_route=\/wp\/v2\/posts\/711\/revisions"}],"predecessor-version":[{"id":4926,"href":"https:\/\/reda.archipress.org\/index.php?rest_route=\/wp\/v2\/posts\/711\/revisions\/4926"}],"wp:attachment":[{"href":"https:\/\/reda.archipress.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=711"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/reda.archipress.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=711"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/reda.archipress.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=711"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}