{"id":403,"date":"2014-05-25T18:44:08","date_gmt":"2014-05-25T18:44:08","guid":{"rendered":"https:\/\/archipress.org\/reda2\/?page_id=403"},"modified":"2026-05-07T19:00:55","modified_gmt":"2026-05-07T18:00:55","slug":"table-des-matieres","status":"publish","type":"post","link":"https:\/\/reda.archipress.org\/?p=403","title":{"rendered":"Table des mati\u00e8res"},"content":{"rendered":"<p style=\"color: #000000;\">\n<p style=\"font-size: 13px; color: #000000;\"><img loading=\"lazy\" decoding=\"async\" align=\"left\" alt=\"Le d\u00e9sarroi identitaire. Jeunesse, islamit\u00e9 et arabit\u00e9 contemporaines\" border=\"0\" height=\"212\" hspace=\"6\" src=\"https:\/\/reda.archipress.org\/images\/stories\/jahiliya\/coversm.jpg\" style=\"opacity: 0.9;\" title=\"Le d\u00e9sarroi identitaire. Jeunesse, islamit\u00e9 et arabit\u00e9 contemporaines\" width=\"133\" \/><\/p>\n<p style=\"font-size: 13px; border: 0px; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; margin: 0px 0px 1.5em; outline: 0px; padding: 0px; vertical-align: baseline; color: #404040; line-height: 20px;\"><span style=\"border: 0px; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline; color: #000000;\">R\u00e9da Benkirane,\u00a0<\/span><em style=\"border: 0px; font-family: inherit; font-weight: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline; color: #000000;\">Le d\u00e9sarroi identitaire<\/em><span style=\"border: 0px; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline; color: #000000;\">.\u00a0<\/span><em style=\"border: 0px; font-family: inherit; font-weight: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline; color: #000000;\">Jeunesse, islamit\u00e9 et arabit\u00e9 contemporaines.<\/em><br \/>\nPr\u00e9face de Salah St\u00e9ti\u00e9, Paris, Editions du Cerf, 352\u00a0pages, 2004, La Crois\u00e9e des chemins, Casablanca, 2012.<\/p>\n<p style=\"font-size: 13px; border: 0px; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; margin: 0px 0px 1.5em; outline: 0px; padding: 0px; vertical-align: baseline; line-height: 20px; color: #000000;\">\n<p style=\"font-size: 13px; border: 0px; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; margin: 0px 0px 1.5em; outline: 0px; padding: 0px; vertical-align: baseline; line-height: 20px; color: #000000;\"><span style=\"border: 0px; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;\">[\u00a0<\/span><a href=\"https:\/\/reda.archipress.org\/?page_id=399\" style=\"color: #4d6aba; border: 0px; font-style: inherit; font-weight: bold; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;\">English Abstract<\/a><span style=\"border: 0px; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;\">\u00a0|\u00a0<\/span><a href=\"https:\/\/reda.archipress.org\/?page_id=401\" style=\"color: #4d6aba; border: 0px; font-style: inherit; font-weight: bold; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;\">Pr\u00e9face<\/a><span style=\"border: 0px; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;\">\u00a0|\u00a0<\/span><a href=\"https:\/\/reda.archipress.org\/?page_id=403\" style=\"color: #4d6aba; border: 0px; font-style: inherit; font-weight: bold; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;\">Table des mati\u00e8res<\/a><span style=\"border: 0px; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;\">\u00a0|\u00a0<\/span><a href=\"https:\/\/reda.archipress.org\/?page_id=405\" style=\"color: #4d6aba; border: 0px; font-style: inherit; font-weight: bold; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;\">Extraits<\/a><span style=\"border: 0px; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;\">\u00a0|\u00a0<\/span><a href=\"http:\/\/www.editionsducerf.fr\/html\/fiche\/fichelivre.asp?N_LIV_CERF=6677\" style=\"color: #4d6aba; border: 0px; font-style: inherit; font-weight: bold; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;\" target=\"_blank\" rel=\"noopener\">Fiche-livre \u00e9diteur<\/a><span style=\"border: 0px; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;\">\u00a0 |\u00a0<\/span><a href=\"https:\/\/reda.archipress.org\/?page_id=417\" style=\"color: #4d6aba; border: 0px; font-style: inherit; font-weight: bold; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;\">Revue presse<\/a><span style=\"border: 0px; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;\">\u00a0|\u00a0<\/span><a href=\"http:\/\/remmm.revues.org\/3561\" style=\"color: #4d6aba; border: 0px; font-style: inherit; font-weight: bold; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;\">Revue de livre<\/a><span style=\"border: 0px; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;\">\u00a0]<\/span><\/p>\n<p style=\"font-size: 13px; color: #000000;\">\n<p style=\"font-size: 13px; color: #000000;\">\n<p align=\"justify\" style=\"font-size: 13px; color: #000000; text-align: center;\"><strong>Table des mati\u00e8res<\/strong><\/p>\n<p style=\"font-size: 13px;\">\n<p align=\"justify\" style=\"font-size: 13px; color: #000000;\">Pr\u00e9face par Salah St\u00e9ti\u00e9,\u00a0<em>Jeux de piste<\/em><\/p>\n<div align=\"justify\" style=\"font-size: 13px; color: #000000;\"><\/div>\n<p align=\"justify\" style=\"font-size: 13px; color: #000000;\"><strong>I. L&#8217;ALT\u00c9RIT\u00c9 EN DEVENIR<\/strong><\/p>\n<p align=\"justify\" style=\"font-size: 13px; color: #000000;\"><strong>1.\u00a0<em>Hijra,\u00a0<\/em>l&#8217;aventure identitaire<\/strong><br \/>\n<em>Savoir, voir et ignorer. L&#8217;imaginaire r\u00e9el. Une g\u00e9n\u00e9alogie d&#8217;avenir. L&#8217;hypoth\u00e8se en leitmotiv. Le po\u00e8me \u00e0 remonter le temps. Approche. Lib\u00e9ration. M\u00e9andres de la forme, structures de l&#8217;informel. Migrer, les deux s\u00e9quences. Hymne de l&#8217;adieu \u00e0 la ville. Arabies, l&#8217;aube du dernier jour.<\/em><\/p>\n<div align=\"justify\" style=\"font-size: 13px; color: #000000;\"><strong>2.\u00a0<em>Turuq,\u00a0<\/em>la strat\u00e9gie de l&#8217;\u00e9garement<\/strong><\/div>\n<p align=\"justify\" style=\"font-size: 13px; color: #000000;\"><em>Langue militante. Contre l&#8217;imp\u00e9nitent sous-d\u00e9velopp\u00e9. Candide en question. Naufrage au large.<\/em><\/p>\n<div align=\"justify\" style=\"font-size: 13px; color: #000000;\"><strong>3.\u00a0<em>Jebel Tariq,\u00a0<\/em>le rocher de Gibraltar<\/strong><\/div>\n<p align=\"justify\" style=\"font-size: 13px; color: #000000;\"><em>La randonn\u00e9e p\u00e9rilleuse. Le rideau de mer. Le mont virtuel.\u00a0<\/em>Al Andalus\u00a0<em>1999. L&#8217;extinction de la M\u00e9soam\u00e9rique, l&#8217;exorcisme du r\u00eave andalou.<\/em><\/p>\n<div align=\"justify\" style=\"font-size: 13px; color: #000000;\"><\/div>\n<p align=\"justify\" style=\"font-size: 13px; color: #000000;\"><strong>II. LES VILLES\u00a0<em>JAHILIYA<\/em><\/strong><\/p>\n<div align=\"justify\" style=\"font-size: 13px; color: #000000;\"><strong>4. Le d\u00e9sordre et le plus grand nombre<\/strong><\/div>\n<p align=\"justify\" style=\"font-size: 13px; color: #000000;\"><em>Diss\u00e9mination contre discrimination. Premi\u00e8re \u00e9bauche. Logique. V\u00e9g\u00e9tations. Loi des grands nombres. L&#8217;\u00e9chelle \u00ab\u00a0glocale\u00a0\u00bb. Typologie familiale. Jeunesse islamiste. Un bagage culturel. Un islam d&#8217;affranchi. Entre drogue et pi\u00e9t\u00e9. Libre et radical. Laboratoire. Divers et dense, l&#8217;espace urbain.<\/em><\/p>\n<div align=\"justify\" style=\"font-size: 13px; color: #000000;\"><strong>5.\u00a0<em>\u2018Umran<\/em><\/strong><\/div>\n<p align=\"justify\" style=\"font-size: 13px; color: #000000;\"><em>L&#8217;historien des civilisations. Maghreb des villes. Premi\u00e8re sociologie, \u00e9tymologie profonde. Dialectique des<\/em>\u2018umran\u00a0<em>.<\/em><\/p>\n<div align=\"justify\" style=\"font-size: 13px; color: #000000;\"><strong>6.\u00a0<em>Siba,\u00a0<\/em>en bordure du chaos<\/strong><\/div>\n<p align=\"justify\" style=\"font-size: 13px; color: #000000;\"><em>Une ville aux mille villages. D\u00e9sordre, genre et nombre. Un art musical signal\u00e9tique. Transcription, migrations.<\/em>Siba<em>, chaos cadenc\u00e9. Br\u00e8ve r\u00e9publique.<\/em><\/p>\n<div align=\"justify\" style=\"font-size: 13px; color: #000000;\"><strong>7. Les pr\u00e9dications la\u00efques<\/strong><\/div>\n<p align=\"justify\" style=\"font-size: 13px; color: #000000;\"><em>Translation du temps. D\u00e9cantation, la\u00efcit\u00e9. Hymne \u00e0 la langue qui coule de source. Langue d&#8217;accueil. Turquisme, d\u00e9monstration par l&#8217;absurde.<\/em><\/p>\n<p align=\"justify\" style=\"font-size: 13px; color: #000000;\"><strong>8.\u00a0<em>Badawa<\/em><\/strong><br \/>\n<em>B\u00e9douinit\u00e9 contemporaine.\u00a0<\/em>Jahiliya\u00a0<em>et\u00a0<\/em>sunyata\u00a0<em>, ignorance et vacuit\u00e9. Le neuf et l&#8217;imm\u00e9morial. L&#8217;\u00e9v\u00e9nement coranique. Le d\u00e9sert vitrifi\u00e9. La banquise du Golfe.<\/em><\/p>\n<p align=\"justify\" style=\"font-size: 13px; color: #000000;\"><strong>9.\u00a0<em>Fitna<\/em><\/strong><br \/>\n<em>Les jonctions absentes. Feu l&#8217;intellectuel arabe. Une g\u00e9n\u00e9alogie d&#8217;avenir. Penser, alibi politique. Lis\u00a0<\/em>(Iqra&#8217;)\u00a0<em>! Premi\u00e8re \u00e9piphanie. Naissance \u00e0 l&#8217;aurore 2000. M\u00e9dine, un mod\u00e8le pour toujours. L&#8217;arme du plus petit nombre. Monde fini et fin de monde.<\/em><\/p>\n<div align=\"justify\" style=\"font-size: 13px; color: #000000;\"><\/div>\n<p align=\"justify\" style=\"font-size: 13px; color: #000000;\"><strong>III. L&#8217;INSTINCT H\u00c9GIRIEN<\/strong><\/p>\n<div align=\"justify\" style=\"font-size: 13px; color: #000000;\"><strong>10.\u00a0<em>Hurub,\u00a0<\/em>la guerre des mots<\/strong><\/div>\n<p align=\"justify\" style=\"font-size: 13px; color: #000000;\"><em>Concepts migrateurs. Digression de l&#8217;agression. R\u00e9miniscences coloniales. S\u00e9mantique, technique des signaux.<\/em><\/p>\n<div align=\"justify\" style=\"font-size: 13px; color: #000000;\"><strong>11. Les cent trente-deux ann\u00e9es coloniales<\/strong><\/div>\n<p align=\"justify\" style=\"font-size: 13px; color: #000000;\"><em>L&#8217;appel au souvenir. Fils des P\u00e8res Blancs. Une guerre actuelle. L&#8217;interm\u00e8de du mal unique. Le bel \u00c9mir. D\u00e9faite des armes, l&#8217;exil de l&#8217;\u00e2me. La d\u00e9portation et l&#8217;exil second.<\/em><\/p>\n<p align=\"justify\" style=\"font-size: 13px; color: #000000;\"><strong>12. Une m\u00e9moire s\u00e9mite<\/strong><br \/>\n<em>Arabisme et sionisme, morts synchrones. Sc\u00e9nario probable. Croisements. Eloge du juif libre\u00a0<\/em>(Dalalat al Ha&#8217;irin)<em>. Recevoir\u00a0<\/em>(Qabala)<em>.<\/em><\/p>\n<div align=\"justify\" style=\"font-size: 13px; color: #000000;\"><strong>13. L&#8217;humanit\u00e9 dispers\u00e9e<\/strong><\/div>\n<p align=\"justify\" style=\"font-size: 13px; color: #000000;\"><em>D\u00e9fense des handicap\u00e9s. Douce cl\u00e9mence. La diss\u00e9mination ou l&#8217;ensemencement familial. La mati\u00e8re sombre et l&#8217;\u00e9nergie du vide.<\/em><\/p>\n<p style=\"font-size: 13px;\">\n<div align=\"justify\" style=\"font-size: 13px; color: #000000;\"><\/div>\n<p align=\"justify\" style=\"font-size: 13px; color: #000000;\"><strong>IV. LETTRE AUX\u00a0<em>AHRAR<\/em>\u00a0(HOMMES LIBRES)<\/strong><\/p>\n<div align=\"justify\" style=\"font-size: 13px; color: #000000;\"><strong>14. Station de science<\/strong><\/div>\n<p align=\"justify\" style=\"font-size: 13px; color: #000000;\"><em>Le d\u00e9mon et l&#8217;odyss\u00e9e anthropique.\u00a0<\/em>Nur al Ichraq\u00a0<em>ou les Lumi\u00e8res orientales. Voyage au bout de l&#8217;Occident. Apostille.<\/em><\/p>\n<div align=\"justify\" style=\"font-size: 13px; color: #000000;\"><strong>15.\u00a0<em>Qibla,\u00a0<\/em>cap de lib\u00e9ration<\/strong><\/div>\n<p align=\"justify\" style=\"font-size: 13px; color: #000000;\"><em>Ecologie de l&#8217;\u00e2me. Poursuite des sentiers de lib\u00e9ration. Monoth\u00e9isme int\u00e9gral. It\u00e9rations spirituelles. Irr\u00e9versibilit\u00e9 temporelle. Tache aveugle et cl\u00f4ture. Islam expatri\u00e9. Au hasard\u00a0<\/em>(al zahr)<em>, \u00e9clats de lumi\u00e8re, efflorescence. Le hasard \u00e9crit\u00a0<\/em>(mektoub)<em>. Anciennes et prochaines\u00a0<\/em>\u00e9pist\u00eam\u00e8s\u00a0<em>. Instantan\u00e9it\u00e9 du sens.<\/em><\/p>\n<div align=\"justify\" style=\"font-size: 13px; color: #000000;\">\u00a0<strong>L&#8217;Homme de la station radieuse<\/strong><\/div>\n","protected":false},"excerpt":{"rendered":"<p>R\u00e9da Benkirane,\u00a0Le d\u00e9sarroi identitaire.\u00a0Jeunesse, islamit\u00e9 et arabit\u00e9 contemporaines. Pr\u00e9face de Salah St\u00e9ti\u00e9, Paris, Editions du Cerf, 352\u00a0pages, 2004, La Crois\u00e9e des chemins, Casablanca, 2012. [\u00a0English Abstract\u00a0|\u00a0Pr\u00e9face\u00a0|\u00a0Table des mati\u00e8res\u00a0|\u00a0Extraits\u00a0|\u00a0Fiche-livre \u00e9diteur\u00a0 |\u00a0Revue presse\u00a0|\u00a0Revue de livre\u00a0] Table des mati\u00e8res Pr\u00e9face par Salah St\u00e9ti\u00e9,\u00a0Jeux de piste I. L&#8217;ALT\u00c9RIT\u00c9 EN DEVENIR 1.\u00a0Hijra,\u00a0l&#8217;aventure identitaire Savoir, voir&#8230; <a class=\"continue-reading-link\" href=\"https:\/\/reda.archipress.org\/?p=403\">Lire plus \/ Read more<\/a><\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[567,564],"tags":[],"class_list":["post-403","post","type-post","status-publish","format-standard","hentry","category-le-desarroi-identitaire-jeunesse-islamite-et-arabite-contemporaines","category-livres-books"],"_links":{"self":[{"href":"https:\/\/reda.archipress.org\/index.php?rest_route=\/wp\/v2\/posts\/403","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/reda.archipress.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/reda.archipress.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/reda.archipress.org\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/reda.archipress.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=403"}],"version-history":[{"count":1,"href":"https:\/\/reda.archipress.org\/index.php?rest_route=\/wp\/v2\/posts\/403\/revisions"}],"predecessor-version":[{"id":4898,"href":"https:\/\/reda.archipress.org\/index.php?rest_route=\/wp\/v2\/posts\/403\/revisions\/4898"}],"wp:attachment":[{"href":"https:\/\/reda.archipress.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=403"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/reda.archipress.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=403"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/reda.archipress.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=403"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}