{"id":2418,"date":"2014-05-27T14:54:37","date_gmt":"2014-05-27T14:54:37","guid":{"rendered":"http:\/\/j2\/?page_id=711"},"modified":"2014-05-27T14:54:37","modified_gmt":"2014-05-27T14:54:37","slug":"regards-croises-du-maroc-dalgerie-et-de-tunisie-2","status":"publish","type":"post","link":"https:\/\/reda.archipress.org\/?p=2418","title":{"rendered":"Les artistes \u00e0 l&#8217;heure des printemps arabes"},"content":{"rendered":"<style type=\"text\/css\" media=\"all\">.printfriendly {display: none!important;}<\/style>\n<h3 style=\"color: #000000; text-align: center;\">\n\t<img loading=\"lazy\" decoding=\"async\" align=\"left\" alt=\" \" height=\"56\" hspace=\"5\" src=\"j\/images\/stories\/logo\/adem.jpg\" style=\"font-size: 13px; line-height: 1.6em;\" title=\"Ateliers d'ethnomusicologie de Gen\u00e8ve (www.adem.ch)\" vspace=\"3\" width=\"169\" \/><br \/>\n<\/h3>\n<p>\t&nbsp;\n<\/p>\n<p>\n\t<span style=\"line-height: 1.6em;\">Ateliers d&#39;ethnomusicologie de Gen&egrave;ve. Alhambra, 3 d&eacute;cembre 2011.<\/span>\n<\/p>\n<div align=\"justify\" style=\"color: #000000;\">\n<p>\n\t\tLes artistes &agrave; l&#39;heure des printemps arabes.<br \/>\n\t\tRegards crois&eacute;s du Maroc, d&rsquo;Alg&eacute;rie et de Tunisie<\/p>\n<p>\t\tEn marge du cycle &laquo; Parfums du Maghreb &raquo;, cette table ronde, organis&eacute;e par les ateliers d&#39;ethnomusicologie de Gen&egrave;ve et le quotidien&nbsp;<em>Le Courrier&nbsp;<\/em>(Gen&egrave;ve), s&rsquo;int&eacute;resse &agrave; la place des artistes &agrave; l&rsquo;heure des mouvements sociopolitiques qui secouent le monde arabe depuis le d&eacute;but de l&rsquo;ann&eacute;e. L&rsquo;accent est mis sur le regard de quelques artistes nord-africains, de leur engagement personnel et de leurs sources d&rsquo;inspiration.\n\t<\/p>\n<p style=\"font-size: 13px; margin: 0px; padding: 0px 0px 1.2em; color: rgb(64, 64, 56); font-family: Helvetica, Arial, sans-serif; line-height: normal; text-align: justify;\">\n\t\tIntervenants :\n\t<\/p>\n<p style=\"font-size: 13px; margin: 0px; padding: 0px 0px 1.2em; color: rgb(64, 64, 56); font-family: Helvetica, Arial, sans-serif; line-height: normal;\">\n\t\tSoraya Ksontini \/ Chanteuse (Tunisie\/Suisse)<br style=\"margin: 0px; padding: 0px;\" \/><br \/>\n\t\tMedhdi Haddab \/ Musicien (Alg&eacute;rie\/France)<br style=\"margin: 0px; padding: 0px;\" \/><br \/>\n\t\tReda Benkirane \/ Sociologue (Maroc\/Suisse)<br style=\"margin: 0px; padding: 0px;\" \/><br \/>\n\t\tIzza Genini \/ Cin&eacute;aste (Maroc)\n\t<\/p>\n<p>\n\t\tTable ronde anim&eacute;e par Elisabeth Stoudmann<em>,<\/em>&nbsp;1h16mn<br \/>\n\t\t<span style=\"line-height: 1.6em;\">[audio:http:\/\/reda.hostpress.com\/audio\/mp3\/TablerondeParfumsMaghreb.mp3]<\/span>\n\t<\/p>\n<\/div>\n<div style=\"color: #000000;\">\n<p>\n\t\t*interventions R&eacute;da Benkirane: 3&#39;30&#39;&#39;, 46&#39;, 1h, 1h05&#39; 1h13&#39;05&#39;&#39;\n\t<\/p>\n<p>\n\t\t&nbsp;\n\t<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Ateliers d&#39;ethnomusicologie de Gen&egrave;ve. Alhambra, 3 d&eacute;cembre 2011. Les artistes &agrave; l&#39;heure des printemps arabes. Regards crois&eacute;s du Maroc, d&rsquo;Alg&eacute;rie et de Tunisie En marge du cycle &laquo; Parfums du Maghreb &raquo;, cette table ronde, organis&eacute;e par les ateliers d&#39;ethnomusicologie de Gen&egrave;ve et le quotidien&nbsp;Le Courrier&nbsp;(Gen&egrave;ve), s&rsquo;int&eacute;resse &agrave; la&#8230; <a class=\"continue-reading-link\" href=\"https:\/\/reda.archipress.org\/?p=2418\">Lire plus \/ Read more<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-2418","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/reda.archipress.org\/index.php?rest_route=\/wp\/v2\/posts\/2418","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/reda.archipress.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/reda.archipress.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/reda.archipress.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/reda.archipress.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2418"}],"version-history":[{"count":0,"href":"https:\/\/reda.archipress.org\/index.php?rest_route=\/wp\/v2\/posts\/2418\/revisions"}],"wp:attachment":[{"href":"https:\/\/reda.archipress.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2418"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/reda.archipress.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2418"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/reda.archipress.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2418"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}