{"id":417,"date":"2014-05-25T19:21:52","date_gmt":"2014-05-25T19:21:52","guid":{"rendered":"https:\/\/archipress.org\/reda2\/?page_id=417"},"modified":"2014-05-25T19:21:52","modified_gmt":"2014-05-25T19:21:52","slug":"revue-de-presse","status":"publish","type":"page","link":"https:\/\/reda.archipress.org\/?page_id=417","title":{"rendered":"Revue de presse"},"content":{"rendered":"<p>\n\t&nbsp;\n<\/p>\n<p style=\"font-size: 13px;\">\n\t<img loading=\"lazy\" decoding=\"async\" align=\"left\" alt=\"Le d\u00e9sarroi identitaire. Jeunesse, islamit\u00e9 et arabit\u00e9 contemporaines\" border=\"0\" height=\"212\" hspace=\"6\" src=\"https:\/\/reda.archipress.org\/images\/stories\/jahiliya\/coversm.jpg\" style=\"color: rgb(0, 0, 0);\" title=\"Le d\u00e9sarroi identitaire. Jeunesse, islamit\u00e9 et arabit\u00e9 contemporaines\" width=\"133\" \/>\n<\/p>\n<div style=\"font-size: 13px;\">\n<p style=\"border: 0px; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; margin: 0px 0px 1.5em; outline: 0px; padding: 0px; vertical-align: baseline; color: rgb(64, 64, 64); line-height: 20px;\">\n\t\t<span style=\"border: 0px; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline; color: rgb(0, 0, 0);\">R&eacute;da Benkirane,&nbsp;<\/span><em style=\"border: 0px; font-family: inherit; font-weight: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline; color: rgb(0, 0, 0);\">Le d&eacute;sarroi identitaire<\/em><span style=\"border: 0px; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline; color: rgb(0, 0, 0);\">.&nbsp;<\/span><em style=\"border: 0px; font-family: inherit; font-weight: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline; color: rgb(0, 0, 0);\">Jeunesse, islamit&eacute; et arabit&eacute; contemporaines.<\/em><br \/>\n\t\tPr&eacute;face de Salah St&eacute;ti&eacute;, Paris, Editions du Cerf, 352&nbsp;pages, 2004, La Crois&eacute;e des chemins, Casablanca, 2012.\n\t<\/p>\n<p style=\"border: 0px; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; margin: 0px 0px 1.5em; outline: 0px; padding: 0px; vertical-align: baseline; line-height: 20px; color: rgb(0, 0, 0);\">\n\t\t&nbsp;\n\t<\/p>\n<p style=\"border: 0px; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; margin: 0px 0px 1.5em; outline: 0px; padding: 0px; vertical-align: baseline; line-height: 20px; color: rgb(0, 0, 0);\">\n\t\t<span style=\"border: 0px; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;\">[&nbsp;<\/span><a href=\"https:\/\/reda.archipress.org\/?page_id=399\" style=\"color: rgb(77, 106, 186); border: 0px; font-family: inherit; font-style: inherit; font-weight: bold; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;\">English Abstract<\/a><span style=\"border: 0px; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;\">&nbsp;|&nbsp;<\/span><a href=\"https:\/\/reda.archipress.org\/?page_id=401\" style=\"color: rgb(77, 106, 186); border: 0px; font-family: inherit; font-style: inherit; font-weight: bold; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;\">Pr&eacute;face<\/a><span style=\"border: 0px; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;\">&nbsp;|&nbsp;<\/span><a href=\"https:\/\/reda.archipress.org\/?page_id=403\" style=\"color: rgb(77, 106, 186); border: 0px; font-family: inherit; font-style: inherit; font-weight: bold; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;\">Table des mati&egrave;res<\/a><span style=\"border: 0px; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;\">&nbsp;|&nbsp;<\/span><a href=\"https:\/\/reda.archipress.org\/?page_id=405\" style=\"color: rgb(77, 106, 186); border: 0px; font-family: inherit; font-style: inherit; font-weight: bold; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;\">Extraits<\/a><span style=\"border: 0px; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;\">&nbsp;|&nbsp;<\/span><a href=\"http:\/\/www.editionsducerf.fr\/html\/fiche\/fichelivre.asp?N_LIV_CERF=6677\" style=\"color: rgb(77, 106, 186); border: 0px; font-family: inherit; font-style: inherit; font-weight: bold; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;\" target=\"_blank\">Fiche-livre &eacute;diteur<\/a><span style=\"border: 0px; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;\">&nbsp; |&nbsp;<\/span><a href=\"https:\/\/reda.archipress.org\/?page_id=417\" style=\"color: rgb(77, 106, 186); border: 0px; font-family: inherit; font-style: inherit; font-weight: bold; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;\">Revue presse<\/a><span style=\"border: 0px; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;\">&nbsp;|&nbsp;<\/span><a href=\"http:\/\/remmm.revues.org\/3561\" style=\"color: rgb(77, 106, 186); border: 0px; font-family: inherit; font-style: inherit; font-weight: bold; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;\">Revue de livre<\/a><span style=\"border: 0px; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;\">&nbsp;]<\/span>\n\t<\/p>\n<\/div>\n<p style=\"font-size: 13px;\">\n\t<br style=\"color: rgb(0, 0, 0);\" \/><br \/>\n\t&nbsp;\n<\/p>\n<div align=\"justify\" style=\"font-size: 13px; color: rgb(0, 0, 0);\">\n\tCe livre d&#39;une structure assez &eacute;trange alterne d&#39;un chapitre &agrave; l&#39;autre et souvent dans le m&ecirc;me chapitre analyse historique, analyse contemporaine et r&eacute;flexions de l&#39;auteur tant&ocirc;t politiques, tant&ocirc;t religieuses. C&#39;est un des livres les plus riches que nous avons pu conna&icirc;tre sur l&#39;Islam et tout &agrave; la fois sur son histoire depuis l&#39;origine, sa sociologie contemporaine dans les banlieues d&#39;Orient et d&#39;Afrique comme dans les banlieues europ&eacute;ennes, ses contradictions de classes (&#8230;)\n<\/div>\n<p style=\"font-size: 13px;\">\n\t<br style=\"color: rgb(0, 0, 0);\" \/><br \/>\n\t<span style=\"color: rgb(0, 0, 0);\">La lettre d&#39;<\/span><em style=\"color: rgb(0, 0, 0);\">H&eacute;ritage &amp; Progr&egrave;s,&nbsp;<\/em><span style=\"color: rgb(0, 0, 0);\">lettre No 13 &#8211; janvier 2005<\/span><br style=\"color: rgb(0, 0, 0);\" \/><br \/>\n\t<br style=\"color: rgb(0, 0, 0);\" \/><br \/>\n\t<span style=\"color: rgb(0, 0, 0);\">R&eacute;flexion critique tout &agrave; fait originale sur l&#39;arabit&eacute; et l&#39;islamit&eacute; qui remonte le temps jusqu&#39;&agrave; Ibn Khaldoun.&nbsp;<\/span><br style=\"color: rgb(0, 0, 0);\" \/><br \/>\n\t<br style=\"color: rgb(0, 0, 0);\" \/><br \/>\n\t<span style=\"color: rgb(0, 0, 0);\">Fran&ccedil;ois Zabbal,<\/span><em style=\"color: rgb(0, 0, 0);\">&nbsp;Al Qantara<\/em><span style=\"color: rgb(0, 0, 0);\">, IMA, 19 avril 2005<\/span><br style=\"color: rgb(0, 0, 0);\" \/><br \/>\n\t&nbsp;\n<\/p>\n<div align=\"justify\" style=\"font-size: 13px; color: rgb(0, 0, 0);\">\n\tL&#39;auteur semble vouloir faire saisir le grand malaise des soci&eacute;t&eacute;s qui vivent au sud de la M&eacute;diterran&eacute;e. Filles d&#39;un pass&eacute; glorieux dont ne subsiste que des souvenirs, une langue sacr&eacute;e, une foi aux multiples courants antagonistes, ces soci&eacute;t&eacute;s connaissent la d&eacute;composition qui vient, entre autres ph&eacute;nom&egrave;nes, d&#39;une urbanisation anarchique, du sous-emploi, de la corruption, de la mondialisation de l&#39;&eacute;conomie et de l&#39;ali&eacute;nation culturelle qui l&#39;accompagne; sans compter les soubresauts d&#39;une actualit&eacute; faite de guerres et de crises violentes. R. Benkirane adopte ce style d&eacute;cousu pour faire toucher du doigt la difficult&eacute; qu&#39;&eacute;prouvent actuellement les peuples, leurs &eacute;lites et leurs masses d&eacute;racin&eacute;es &agrave; concilier leurs racines et leurs migrations, l&#39;h&eacute;ritage de la&nbsp;&laquo;b&eacute;douinit&eacute;&raquo; et la vie citadine, le chaos &eacute;conomique et leur aspiration &agrave; l&#39;harmonie (&#8230;)\n<\/div>\n<p style=\"font-size: 13px;\">\n\t<br style=\"color: rgb(0, 0, 0);\" \/><br \/>\n\t<span style=\"color: rgb(0, 0, 0);\">Jean-Marie Gaudeul,&nbsp;<\/span><em style=\"color: rgb(0, 0, 0);\">Etudes<\/em><span style=\"color: rgb(0, 0, 0);\">, mars 2005<\/span><br style=\"color: rgb(0, 0, 0);\" \/><br \/>\n\t&nbsp;\n<\/p>\n<div align=\"justify\" style=\"font-size: 13px; color: rgb(0, 0, 0);\">\n\tSociologue de formation, Benkirane n&#39;&eacute;crit pas un ouvrage de sociologie. Il se refuse de th&eacute;oriser et d&#39;enfermer l&#39;analyse dans des concepts ou des id&eacute;aux-types qui figeraient une r&eacute;alit&eacute; gouvern&eacute;e par l&#39;instantan&eacute;it&eacute;. Son livre est un tourbillon po&eacute;tique d&#39;images, d&#39;errances, d&#39;histoires d&#39;Orient et d&#39;Occident, de parfums, de mystiques, qui traduit le mouvement de l&#39;islamit&eacute;, la mouvance de l&#39;arabit&eacute;, au sein d&#39;un monde fonci&egrave;rement insaisissable, chaotique, vif, arborescent et travers&eacute; par bien des paradoxes (&#8230;)\n<\/div>\n<p style=\"font-size: 13px;\">\n\t<br style=\"color: rgb(0, 0, 0);\" \/><br \/>\n\t<span style=\"color: rgb(0, 0, 0);\">Emmanuel Pisani,&nbsp;<\/span><em style=\"color: rgb(0, 0, 0);\">La Vie Spirituelle<\/em><span style=\"color: rgb(0, 0, 0);\">, mai 2005.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; R&eacute;da Benkirane,&nbsp;Le d&eacute;sarroi identitaire.&nbsp;Jeunesse, islamit&eacute; et arabit&eacute; contemporaines. Pr&eacute;face de Salah St&eacute;ti&eacute;, Paris, Editions du Cerf, 352&nbsp;pages, 2004, La Crois&eacute;e des chemins, Casablanca, 2012. &nbsp; [&nbsp;English Abstract&nbsp;|&nbsp;Pr&eacute;face&nbsp;|&nbsp;Table des mati&egrave;res&nbsp;|&nbsp;Extraits&nbsp;|&nbsp;Fiche-livre &eacute;diteur&nbsp; |&nbsp;Revue presse&nbsp;|&nbsp;Revue de livre&nbsp;] &nbsp; Ce livre d&#39;une structure assez &eacute;trange alterne d&#39;un chapitre &agrave; l&#39;autre et souvent dans &#8230; <a class=\"continue-reading-link\" href=\"https:\/\/reda.archipress.org\/?page_id=417\"> Continue reading<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":393,"menu_order":4,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-417","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/reda.archipress.org\/index.php?rest_route=\/wp\/v2\/pages\/417","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/reda.archipress.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/reda.archipress.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/reda.archipress.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/reda.archipress.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=417"}],"version-history":[{"count":0,"href":"https:\/\/reda.archipress.org\/index.php?rest_route=\/wp\/v2\/pages\/417\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/reda.archipress.org\/index.php?rest_route=\/wp\/v2\/pages\/393"}],"wp:attachment":[{"href":"https:\/\/reda.archipress.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=417"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}